Through multiple forms of production my work draws connections across different time periods to unravel configurations of power and examine the phenomenon of fear. I revisit this feeling in order to better understand its cultural implications and how it is anchored in our minds and bodies. On a geological timescale, I investigate how we relate to our environment by focusing on the nonhuman (animal figures, plants, or minerals) and/or invisible influences through a poetic process of reorganization in search of new perspectives.
In recent years extraterrestrial objects and the cosmological scale have also entered into my research. New horizons which obligate us to redefine what is local and rethink our place on earth. Facing our 21st century troubles by cultivating empathy appears to be a potential antidote to heightened individualism and inward-looking attitudes.
I became interested in examining these phenomena using sensory experience to question emotion and perception in order to mediate these encounters between human and other. Specific sites take on meaning as possible metaphors for experimentation and cooperation. Combined with a research-based approach, my work aims to span the gap between the viewer/participant, anchored here in the Anthropocene, and the farthest reaches of space and time. Through graphic, performative, or installation works, I seek to challenge our gaze, and to change points of view. I am questioning what other presents and futures become possible by confronting and assembling varied elements. I seek to provoke what Roland Barthes called “a co-presence of two discontinuous elements, heterogeneous in that they did not belong to the same world.”
CHRISTINE LAQUET
Born in 1975, Lyon (FR), works and live in Nantes (FR).
I have exhibited my work internationally in notable institutions such as the Contemporary Art Museum A. Magalhaes (BR), at the PyeongChang Biennale (KR), the Zamek Culture Center (PL), or the BUG gallery (TH) amongst others, in France and from New York to Bangkok, Innsbruck, Poznan, Sao Paolo, Seoul, and Aarhus. Recipient of numerous grants, I am also honored to have my work included in various private and public collections.
SOLO SHOWS
2024
— En symbiose, Espace Millecamp, Pouzauge (FR)
— PRIMA ULTIMA, Moments Artistiques, Christian Aubert, Paris (FR)
2022
— Partie Commune 11, Wiiiild Project, Paris (FR)
— Un Lien, Un Visible, (in resonance with the Lyon Biennale) GAC Art Center, Annonay (FR)
2021
— RE-POSER LA TERRE, RDV Gallery, Nantes (FR)
2019
— 2019, OK, Spanien19C, Aahrus (DK)
— Chaque soir, et depuis une histoire, ESPACE Millecamps Gallery, Pouzauges (FR)
— DIS-PARAIT-RE-APPARAIT, l’Art Au Centre Gallery, Laval (FR)
2017
— APPARITION DISPARAISSANTE, Saint Sauveur Site, Rocheservière (FR)
— FLASH – Christine Laquet, Le Rocher, Laval (FR)
2015
— BILATERALE PARADE, White Project Gallery, Paris (FR)
2014
— ÀTEINDREUNERAISONANCE, with Adrian Owen, French Institut Gallery, Fez (MAR)
2013
— BODIES, GLASS, & KNIVES, with Robert Steijn, Pioneer Works, Center for Art and Innovation, Brooklyn, NYC (USA)
— CR(I)SES AD(JUST)MENTS (COLLAPSED), Flux Factory Gallery, NYC (USA)
2012
— A BRIEF HISTORY OF EVERYTHING, FRAC Pays de la Loire, Carquefou (FR)
— AFIAC / Performance, Christine Laquet, Fiac (FR)
2011
— BRUIT QUI PENSE, Gyeonggi Creation Center, Daebudo (KR)
— I SEE THE SEA AND THE SEA SEES ME, with Laurent Pernel, la Plate-Forme, Dunkerque (FR)
— SAFARI, Nantes Fine Arts Museum (FR)
— SUR LA TERRE COMME AU CIEL, Pontmain Art Center, Pontmain (FR)
2010
— RIVIERA, Chapelle Jeanne d’Arc Art Center, Thouars (FR)
— LA PROBABILITÉ DU RICOCHET, La Halle, Pont-en-Royan (FR)
— TRI SELECTIF, public art project, with Laurent Pernel, P (comme palissades), Onyx, St Herblain (FR)
— NOUS N’IRONS PLUS-ZO-BOIS, performance with Olivia Grandville, Chamarande Art Center (FR)
2009
— HISTORIAS CONECTADAS, with Stéphane Pauvret, MAMAM No Patio, Modern Art Museum Aloisio Magalhaes, Recife (BR)
2008
— A MEANINGFULL MOMENT THROUGH A MEANING(LESS) PROCESS, Galeria ON, Poznan (PL)
— SOUBRESAUT DEPLACE, Sycomore Art Gallery, Paris (FR)
2007
— NOUS NOUS SOMMES FORTEMENT INFLUENCES, le LAIT Art Center, Bellevue School, Albi (FR)
— QUI VEUT FAIRE L’ANGE FAIT LA BETE, Bangkok University Gallery (BUG), Bangkok (TH)
2006
— FESTIVAL D’ART VISUEL, MAMAM, Museum of Contemporary Art Aloisio Magalhaes, Recife (BR)
— CENTRE-EUROPE, La Planck, Air de Paris Gallery, Paris (FR)
2005
—… PARCE QU’ON M’APPREND DES CHOSES QUE JE SAIS PAS, IUFM Gallery, Nantes (FR)
PERFORMANCES
2022
— La chasse au météore, Conference-performance, Octopus Gallery, Paris
2019
— GEOMETRIC SPRAWL, Performance with Sofus Fosberg, Decipher Performance Festival, Institut for X, Aarhus (DK)
2018
— DEVORATION, Decipher Art & Performance Festival, Aarhus (DK)
2015
— DEVORATION, White Project Gallery. Sound: Jean-Jacques Palix / images: Olivier Janet, Paris (FR)
2014
— PRESENCE ANIMALE, performed conference of Christine Laquet, Le passage de l’Art, Marseille (FR)
2013
— BODIES, GLASS, & KNIVES, Performance with Robert Steijn, sound: Adrian Owen. Pioneer Works, Center for Art and Innovation, Brooklyn, NYC (USA)
— TO GAIN YOU OWN VOICE, YOU HAVE TO FORGET ABOUT HAVING IT HEARD, with Alexandria Wailes and Gérard Faroux, Flux Factory Gallery, NYC (USA)
2012
— YOU SHOULD NEVER FORGET THE JUNGLE, performance with Robert Steijn, FRAC des Pays de la Loire, Carquefou (FR)
— GREEN CONVERSATION and L’ODEUR DE LA DECOMPOSITION, performance with Robert Steijn, Franz Polstra and Robin Meier, French Institut, Vienna (AT)
2010-12
— PERE-FILS / DES OISEAUX DE PASSAGE, with the choreographer François Grippeau, Nantes (FR)
— NOUS N’IRONS-PLUS-ZO-BOIS, performance with Olivia Grandville, Domaine départemental de Chamarande (FR)
2004-05
— CAMPING SAUVAGE, Ideal Mobile Residence, François Grippeau, Lieu Unique, T.U., Nantes (FR)
2000
— Sound composition for the choreographer Denis Plassard, Maison de La Danse, Lyon (FR)
TEACHING
2024
— Art and culture class, Brassard, Nantes (FR)
— Exposer InSitu, Workshop-exposition, Collège Gaston Chaissac, Pouzauges (FR)
— Art Summer School / Masterclass, Nantes Saint-Nazaire Fine Arts School (FR
2023
— Academic drawing, Brassard Art School, Nantes (FR)
— Workshop, Touchard-Washington High School, Le Mans (FR)
— Art Summer School / Masterclass, Nantes Saint-Nazaire Fine Arts School (FR)
2022
— Workshops around my show Un Lien, Un Visible, Annonay
— Workshop, in the framework of art school teacher training of the Pays de la Loire Region, Rectorat
— Exposer in Situ, exhibition and workshops in Loire-Atlantique
2020
— Jury member (Master – DNSEP), ESBA Nantes Saint Nazaire (FR)
— Workshop – ECV, Ecole de Communication Visuelle-, Nantes (FR)
— Invited artist, Arthur Rimbaud middle school, Donges (FR)
2018-19
— Invited artist, Gaston Chaissac middle school, Pouzauges (FR)
— Motto’s republic , Loire-Atlantique General Council, Arthur Rimbaud high school, Donges (FR)
2018
— Professional English training, Nantes Saint-Nazaire School of Art, Saint Nazaire (FR)
— Plasticiens au Collège, Loire-Atlantique General Council, Arthur Rimbaud high school, Donges (FR)
2017
— Workshop in E.C.V., Nantes (FR)
— Professional English training for visual artists, AMAC, Nantes (FR)
— Plasticiens au Collège , Conseil Général de Loire-Atlantique et Collège A. Rimbaud, Donge (FR)
2016
— Visiting artist, Sino-Française Artistique Association, Beijing (PRC)
— Workshop in E.C.V., Nantes (FR)
— L’art en valise , Frac des Pays de la Loire, Nantes (FR)
2015
— Visiting artist, Sino-Française Artistique Association, Beijing (PRC)
2014
— Cross-Cultural Training in English, Associate Degree, Stendhal University, Grenoble (FR)
— Workshop in E.C.V., Nantes (FR)2013
— Public art project (A(do)nimal), St Mars-La-Jaille Academy (FR)
2012
— Workshop in E.C.V., Nantes (FR)
— Workshop in Cholet Art School (FR)
2011
— Workshop in ESBAN Nantes School of Art (FR)
— Workshop in Gyeonggi Creation Center (KR)
2008-10
— Workshop in a high school, Loire-Atlantique department / DRAC Poitou-Charentes(FR)
2007-09
— Sculpture Teacher (ceramic) in La Roche-Sur-Yon School of Fine Art (FR)
2005
— Workshop in Norköpping University (S)
2004
— Workshop in IUFM, Nantes (FR)
2000-03
— Workshops in the Contemporary Art Biennale, Lyon (FR)
GROUP SHOWS
2024
— Sensing The Sea, The Nordic Contemporary Art Center, Xiamen (CN)
— Miroirs de la Nature, une histoire fausse du paysage, Le Miroir, Poitiers (FR)
— Cataoutchouc, JAKMOUSSE± Art Design Experiment, Montreuil (FR)
2023
— Ôde à la nuit, Espace J. Martel, Frac des Pays de la Loire coll., Challans (FR)
— Phénomènes! CYEL, La Roche-Sur-Yon (FR)
— Experimental Loop – Video Art Fest, PTM Contemporary, NYC (USA)
— À la faveur de la nuit. Un refuge sous les étoiles, Ferme de Bourlatier, Ligne du Partage des Eaux, Sagnes-et-Goudoulet (FR)
— Les Eaux Composées, Quartier Général, EESAB (European Quimper Art School), Quimper (FR)
2022
— Les Eaux composées, Roscoff Biological Marine Station (FR)
— Le complexe d’Actéon, l’Artichaud Galerie, Nantes (FR)
— Le retour du fiasco, JAKMOUSSE± Art Design Experiment, Montreuil (FR)
2021
— LE MOLIERE, Partie Commune, Paris (FR)
— Qi – ART IN THE FOREST, Fontainebleau (FR)
— CEUILLIR DES ÉTOILES, Art Delivery, Beaux-Arts Nantes Saint-Nazaire (FR)
— SENSING THE SEA, SAK Museum, Svendborg (DK)
— RELATIONS EN TENSION, Partie Commune, Jackmousse, Montreuil (FR)
2020
— L’ESPACE DU LIVRE, Artothèque de La Roche-sur-Yon, invited by PUI, La Roche-sur-Yon (FR)
2019
— THE CLOSER WE ARE, Elysium Gallery, Sawsea (Wales – UK)
— NO MAN SPIRITS OUR DUST, 5-50 Gallery, NYC (USA)
— HE IS THE KING, I AM THE ART, Vieux Saint Laurent Church, Rennes (FR)
— NOUVELLES ACQUISISTIONS, Artotheque Angers Museum, Angers (FR)
— LES VISIONNAIRES#1, 24Beaubourg, Paris (FR)
— VIDEOPROJECT BIENNALE, Galerie 5, Angers (FR)
2018
— PLUS RIEN NE S’OPPOSE A LA NUIT, l’Échiquier Gallery (coll. Frac des Pays de la Loire), Pouzauges (FR)
— MANIMAL, CHABRAM Contemporary Art Center, Touzac (FR)
— ART DELIVERY #2, Open School Gallery, Nantes Saint-Nazaire Fine Art School, Nantes (FR)
2017
— MAKE IT LAST FOREVER, Millefeuilles Gallery, Nantes (FR)
— PUBLISHED BY THE ARTIST, International Print Center of New York (IPCNY), NYC (USA)
— THE FIVE MOONS: RETURN OF THE NAMELESS AND UNKNOWN –Pyeong Chang Biennale- The Word Wide Video Projection (KR)
— RESONANCES, Musée Vert (coll. Frac des Pays de la Loire), Le Mans (FR)
— WELCOME HOME, RDV Gallery, Nantes (FR)
2016
— FLUX GREEN AND FLAMINGO PINK, Flux Factory Gallery, LIC Arts Open, NYC (USA)
— SHIMART PROJECT, ArtHelix Gallery, Brooklyn, NYC (USA)
— SELECTION, White Project Gallery, Paris (FR)
2015
— LA OU COMMENCE LE JOUR -RENAISSANCE- LILLE 3000, LAM (Lille City, Contemporary and modern art museum), Villeneuve d’Ascq (FR)
— RECTO/VERSO, Louis Vuitton Foundation, for the French Secours Populaire, Paris (FR)
— A to Z, White Project Gallery, Paris (FR)
— STROBE NETWORK, Flux Factory Gallery, L.I.C., New York City (USA)
— 3D – IV, Prieuré St Nicolas, Les Sables d’Olonne (FR)
2014
— LE TEMPS DES CONTES, G. Gachignard Cultural Space (Frac des Pays de la Loire coll.), Bouillé-Courdault (FR)
— LES HEURES SOUTERRAINES, Coal Museum (Frac des Pays de la Loire coll.), Faymoreau (FR)
— EN ATTENDANT HIER, Montbazillac Castle, La Mobylette Collectif, Bordeaux (FR)
— PAR UNE NUIT D’HIVER, Garenne Lemot Department Domain (Frac des Pays de la Loire coll.), Clisson (FR)
2013
— VICTORY OBSESSED, Zamek Culture Center, Poznan (PL)
— ANYTHING anything, Flux Factory Gallery, NYC (USA)
— CARNE VALE, Flux Factory Gallery, NYC (USA)
2012
— REELLES FICTIONS, Art school Gallery, Cholet (FR)
— TOUT A VOIR #4, Le Cinématographe, Nantes (FR)
— INTO THE SPACE, Jeong Mun Kyu Museum, Ansan (KR)
2011
— OEUVRE MODE D’EMPLOI, Michel Journiac Gallery, Paris (FR)
— NEW GASWORKS PAVILION, Poznan (PL)
— SAFARI, Musée d’Arts de Nantes, Nantes (FR)
2010
— ENFANCES, La Manicle / Satellite Brindeau, Le Havre (FR)
— FRISBEE, L’Atelier, Nantes (FR)
— OPEN HOUSE, Entre-deux, la base d’Appui, Nantes (FR)
— SUR LA TERRE COMME AU CIEL, Centre d’Art de Pontmain, Pontmain (FR)
2009
— NOUVELLES ACQUISITIONS, Ring Artothèque, Nantes (FR)
— 1 69 A2, Eric Stephany apt, Paris (FR)
— SITUATION LIMITE, Ring Artotheque, l’Atelier, Nantes (FR)
— URBAN PING PONG, Contemporary Art Center, Ivry – Galerie Fernand Léger (FR)
— MESS IS LORE, Artotheque, Auxère (FR)
2008
— TOOL BOX, Base d’appui d’Entre-Deux, Nantes (FR)
— ZAPPING UNIT, Ferme du Buisson Art Center, Marne-La-Vallée (FR)
— COQUILLAGES ET CRUSTACES, Art Modeste Museum, Sète (FR)
— VOLATILES, Espace Croix-Baragnon, Toulouse (FR)
2007
— Art Omi Center, New York (USA)
— PLUS SI AFFINITE / TRANS-RITUEL, La Fiac, Fiac (FR)
2006
— HAIKU FESTIVAL, Scopitone, Nantes (FR)
— LES FAUX DIAMANTS N’OTENT RIEN A LA VALEUR DES DIAMANTS FINS, Rosemarie Martin garden, Rezé (FR)
2005
— Ipso Facto Gallery, Nantes (FR)
— LE CHATEAU DES ADHEMAR, Contemporary Art Center, Montélimar (FR)
— RENDEZ-VOUS, Expérience de la durée, Terreaux Art Gallery, Lyon Contemporary Art Biennale (FR)
— NEW GENERATION, International Film Festival, Les Subsistances, Lyon (FR)
— MARATHON D’UN FILM D’ANIMATION, Galerie de l’IUFM, Nantes (FR)
— IDEALE RESIDENCE MOBILE, Chantier d’artistes, le lieu unique, Nantes (FR)
— DRAW !, Galerie du jour agnes b., Paris (FR)
— TRANSGRESSING SYSTEMS, Innsbruck (AT)
2004
— VENTE A LA CRIEE DU LOT 49, Zoo Gallery, Nantes (FR)
— TRENCIN, Video Festival, Slovaquie (SL)
— 6EME RENCONTRE DU FILM ET DE LA VIDEO, The Film Co-op, Nice (FR)
— ARTISTE BOCAGE, Contempory Art Center, Pontmain (FR)
— FORO ARTISTICO, Hannover, Allemagne (D)
— LE CHATEAU DES DESTINS CROISES, Glassbox, Paris (FR)
— COMPLETEMENT A L’OUEST, Zoo Gallery, Nantes (FR)
2003
— SHIFT, Video festival, Annecy (FR)
— HAPPY END, La Caserne, Artistic Practices Center, Cergy Pontoise (FR)
2002
— CE MOIS-CI, Fine Art School Gallery, Nantes (FR)
— CURIOUS002 and CURIOUS004A 220V remix, Anvers (BE)
— CIRCU(S)LATION, Zoo Gallery, Nantes (FR)
PUBLICATIONS
SOLO PUBLICATIONS
2018
— Apparition Disparaissante. Text: Pascal Pique / Philippe Guillet. Ed. Site Saint Sauveur, La Rocheserviere (FR)
— Moments Collect. Photography, edition of 50, Nantes (FR)
2014
— De Nature Clandestine, a collaboration with Guy Grandjean, biologist (FR)
— Christine Laquet, A Brief History of Everything. Text (FR/GB): Olivier Marboeuf. Ed. FRAC des Pays de la Loire (FR)
2013
— CR(I)SES AD(JUST)MENTS (COLLAPSED). Texts by Arnaud Gerspacher, Chennie Huang, Christine Laquet, Mille HØjerslev Nielson, Robert Steijn, Sarah Walko and Julien Zerbone. Ed. Lulu Press, NYC (USA)
— A Brief History of Everything, by Olivier Marboeuf. Ed. FRAC des Pays de la Loire (FR)
2011
— I See The Sea And The Sea Sees Me. Text by Jean-Louis Poitevin / Christine Laquet. Ed. Book Society, Mediabus, Seoul (KR)
— Riviera. Text by Jean-Luc Dorchies. Ed. Centre d’Art la Chapelle Jeanne d’Arc (FR)
2008
— Wild White Chuut…, Texts by Jackie Ruth Meyer, Murielle Durand-G and Isabelle Girettes. Ed. Centre d’art le LAIT, Lycée Bellevue, Artpower (FR)
— A Meaningfull Moment Through A Meaning(less) Process. Text by Kris Lukomski. Ed. Galeria ON Poznan (PL)
2007
— Qui Veut Faire l’Ange Fait la Bête, Text by Ark Fongsmut Bangkok University Gallery, Alliance Française (TH)
GROUP PUBLICATIONS
2024
— IRREVERENT XIV, collective Revue Denis Esnault, 2024, 84p. (FR)
2023
— Kunst und Ökologie – Robert Fleck, Edition Konturen (17 octobre 2023) 200 p – ISBN-10 : 3902968877 – 576 g – 16.7 x 2 x 24.8 cm (DE)
2019
— Chroniques du Centre d’art le LAIT (1983-2018), under the direction of Jackie-Ruth Meyer, 432 p. (FR)
2018
— Carte blanche Christine Laquet. Texte Dévorée adorée by Léo Bioret. Ed. 303 – N°153 – SAUVAGE, p. 67-73 (FR)
2017
— The Five Moons: Return of The Nameless And Unknown, Pyeonchang Biennale (KR)
2014/15
— Présence Animale, Passage de l’Art. Ed. Mutaner, Marseille (FR)
2012
— Geonggi Creation Center Residency, 2011, Corée du Sud (KR)
— La Plate-Forme, Laboratoire d’Art Contemporain, 2011, Dunkerque (FR)
2011
— Projets d’Artistes en Pays de la Loire, 303. Text by Eva Prouteau (FR)
— Triangle Arts, artists workshop, Brooklyn, NY (USA)
2010
— Coquillages & Crustacés, ed. Musée des Beaux-Arts de Brest, Musée International des Arts Modestes, Sète (FR)
— Recife-Nantes: Au Pays des Hommes-Crabes, Christine Laquet and Stéphane Pauvret, Place Publique #23. Text by Emmanuelle Cherel. (FR)
2008
— + Si Affinité, Trans-Rituel, Ed. Afiac, Les Abattoirs de Toulouse (FR)
— Volatiles, Galerie Croix-Baragnon, Toulouse (FR)
— Tool Box, Ed. Entre-deux, La Base d’appui Art Public Contemporain, Nantes (FR)
2005
— Moly-Sabata, Text: Isabelle Bertolotti, Marie-Cécile Burnichon. Ed. Fond. Albert Gleizes, Musée d’Art Contemporain, Lyon (FR)
— Camping Sauvage, création chorégraphique et plastique, text by Marie de Brugerolle, Semaine, N°82 (FR)
2004
— Je Cherchais Le Nom, Text by Pierre Gicquel. Ed. Centre d’Art Contemporain de Pontmain (FR)
2002
— Once The Search Is In Progress, Ed. Post-Graduate Program, Nantes Fine Arts School (FR)
EDUCATION
2001/03
— Postgraduate Program –Research Art Group MultiPoint- ESBANM, School of Fine Art, Nantes (FR)
2001
— Curatorial program Magasin School, National Centre for Contemporary Art, Grenoble (FR)
2000
— Fine Art Master’s degree (D.N.S.E.P), ENSBA Lyon National Art School (FR)
1999
— Fine Art Master’s degree, ECAL Lausanne Art School (CH)
RESIDENCIES / GRANTS
2024
— Pays de la Loire Region / Loire-Atlantique Department / ADAGP research grants (FR)
— Residency at the Roscoff Marine Station, with Sorbonne University and CNRS (FR)
— Residency in Luzerne Factory, Dehua (CN)
— DRAC Pays de la Loire – Studio grant (FR)
2022
— Residency at the Marc Seguin Fondation for Innovation, Annonay (FR)
— Scan Grant, Rhône-Alpes Auvergne Region (FR)
2019
— Residency at ARoS Museum, and at Spanien19C, Aarhus (DK). Support from the French Institute / Nantes City / Aarhus Kommun / Flux Factory
2018
— Artist Residency ARoS Museum, Aarhus (DK). Support from the French Institute / Nantes City / Flux Factory
— DICAM Price, DRAC Pays de la Loire / Art au Centre, Laval (FR)
2016
— Research Grant, Pays de la Loire Region (FR)
2014
— Artist Residency and exhibition, Fez French Institute (MAR)
— Creation Grant, DRAC Pays de la Loire (FR)
2013
— Artist Residency and exhibition at Flux Factory, NYC (USA)
— Artist Residency and exhibition at Pioneer Works and Residency Unlimited – Support from Nantes City / French Institute / Pays de la Loire Region
2012
— Project Grant, Pays de la Loire Region (FR)
2011
— Artist Residency and exhibition at the Gyeonggi Creation Center (KR)
2010
— Artist Residency and exhibition at the Contemporary Art Center Chapelle Jeanne d’Arc, Thouars (FR)
— Artist Residency and open-studio at Triangle Art Studio Workshop, Brooklyn, New-York (USA)
— La Fabrique, artist’s studio, Madeleine Champ de Mars, Nantes (FR)
2009
— Artist Residency and exhibition at the Modern Art Museum Aloisio Magalhaes. Support from French Year in Brasil (CulturesFrance) / Ville de Nantes / DRAC Pays de la Loire, Recife (BR)
2008
— Creation Grant, DRAC Pays de la Loire (FR)
— Project Grant, Pays de la Loire Region (FR)
2007
— Artist Residency and open-studio at Art OMI, Ghent, New York (USA)
— Artist Residency and exhibition at Le Lait Art Center, Bellevue School, Albi (FR)
— Artist Residency and exhibition at BUG (Bangkok University Gallery), Bangkok French Alliance (TH)
— Artist Residency and exhibition at MAMAM (Modern Art Museum Aloisio Magalhaes), Recife (BR)
— Mobility Grant, DRAC Pays de la Loire / Nantes City / Cultures France (FR)
2005
— Artist Residency and exhibition at Adhemars Castle, with Moly-Sabata Albert Gleizes Fondation, Contempory Art Museum of Lyon (FR)
— Artist Residency and exhibition at the IUFM of Nantes , Nantes (FR)
— DICREAM Film Grant, CNC (National Center of Cinematography), Paris (FR)
PUBLIC COLLECTIONS
— (FNAC) National Found of Contemporary Art, Paris (FR)
— (FRAC) Regional Fond of Contemporary Art, Pays de la Loire (FR)
— Artotheques (Nantes / Angers / La Roche-sur-Yon) (FR)
OTHERS
2022
— Speaker at the conference Earth Sensations: Affects, sensibilities and attachments in an era of climate change, Aarhus Institute of Advanced Studies (DK)
— Speaker at the conference TRANS-GENERATIVES 2030, ICN Buisness School withArt & Science Unesco Chair, Nancy (FR)
2004-2014
— Contrechamp, founder and curator of a cinema and visual film art program, Le Cinématographe, Nantes (FR)
2013
— 1% -Public Art Work in a school (Achievement)- St Mars-La-Jaille, Loire-Atlantique Department (FR)
2011
— 1% -Public Art Work in a school (Finalist)- Pré-Gauchet, Nantes, Loire-Atlantique (FR)
2010
— 1% -Public Art Work in a school (Finalist)- Pré-Gauchet, Nantes, Conseil Général de Loire-Atlantique (FR)
2009
— 1% -Public Art Work in a school (Finalist)- Bottière Chénaie, Nantes. Nantes City (FR)
2006
— 1% -Public Art Work for a wall (Finalist)- Nantes City (FR)
2002
— Circu(s)lation, curator, Zoo Gallery, Nantes (FR)
2001
— Digital Deviance, Co-curator, Le Magasin, National Contemporary Art Center, Grenoble (FR)
PRESS
2019
— Christine Laquets Meteorrejse, by Lau Barnkob Lehrmann, Kunsten.nu (DK)
— Kosmisk fabel giver fantasien frit løb, by Christian Salling in Aarhus Stiftstidende (DK)
— A United Front, in Western Mail, Swansea, Wales (UK)
— Show Review, BBC Wales, by Clare Potter (UK)
2018
— Carte Blanche Christine Laquet, Revue 303, arts, recherches, création. Text: Léo Bioret, Dévorée Adorée (FR)
— Kollektivånden har indtaget ARoS. Text: Mille Højerslev Nielsen, the 4th of Sept. (DK)
— Portait, Kulturmagasinet Fine Spind. Text: Teodora Biberovic, the 29th of Aug. (DK)
— Internationalt Kunstnertræf på Aros, Aarhus Stiftstidende. Text: Hans Petersen, the 16th of Aug. (DK)
2017
— Le Grand Brunch, Christine Laquet and Laurent Vignais, France Bleu Mayenne (FR)
— Apparition Disparaissante, Christine Laquet, RCF Vendée (FR)
2014
— Seeing the Unseen, Trinocular Vision, Drain Magazine. Text: Sarah Walko (USA)
2013
— Forces of Nature, chenniehuang.com. Text: Chennie Huang, April (USA)
— What Is the Economic Monster of Our Time?, text: Sarah Walko, Hyperallergic, June, New York (USA)
2012
— Réelles Fictions, Ouest France. Text: Isabelle Tellier, the 6th of April (FR)
— Courrier de l’Ouest, the 10th of April (FR)
— Christine Laquet, des rapports entre l’homme et le monde animal, Ouest France (FR)
— Christine Laquet : Une brève histoire de tout, Lucie Etchebers, Pulsomatic (FR)
2011
— 303. Text: Eva Prouteau (FR)
— Culture Naru Magazine, Juil-Aug. (KR)
— La Vignette, by Aude Lavigne, France Culture (FR)
2010
— Tri Sélectif sur palissades à Onyx, Ouest France, the 7th of April (FR)
— Sphère privée et publique, un même lieu, Ouest France, the 7th of April (FR)
— Christine Laquet, Pulsomatic. Text: Laurence Hamon, June (FR)
— La figure imposée de Christine Laquet, Courrier de l’ouest, the 3rd of Oct.(FR)
— Christine Laquet sur la Riviera thouarsaise, Nouvelle République, the 13th of Nov. (FR)
— Les eaux pétillantes, Nouvelle République, the 16th of Nov. (FR)
— Expo au Centre d’art la Chapelle Jeanne d’Arc, Le HIC, the 15th of Nov. (FR)
— Pontmain, sa Vierge et son Centre d’art Contemporain, Culturebox, France 3 (FR)
2009
— Franceses Expõem no Pátio, Jornal do commercio, the 3rd of Sept. (BR)
— A Possibilidade de Histórias Conectadas, Rhizo(phora). Text: Anna-Luisa Lima, the 7th of Sept. (BR)
— Mamam no Pátio sedia exposição Histórias Conectadas, O grito!, the 27th of Sept. (BR)
2008
— Christine Laquet: une singularité multiple, LaCritique.org. Text: Jean-Louis Poitevin, the 20th of Feb. (FR)
— Installation, 20minutes, the 28th of Feb. (FR)
— Drôles d’oiseaux à Croix-Baragnon, La dépèche du midi, the 24th of July (FR)
— N° spécial Art Contemporain, Technikart, November (FR)
— Du bon usage des formes et des couleurs des saint-jacques, moules et bigorneaux, Le Monde. Text: Philippe Dagen, the 16th of Aug. (FR)
— Sous la douche, portrait Monocle, TéléNantes (FR)
2007
— The Human Condition Explained … By Crabs, Bangkok Post. Text: Camilla Russell, the 10th of May (TH)
— Nous avançons face à la nuit, avec un astre sur l’épaule… Revue 303. Text: Murielle Durand-G, in Né(e) à Nantes comme tout le monde, N°96 (FR)
— À Fiac l’art contemporain est livré à domicile, Libération. Text: Gilbert Laval, the 23rd of June (FR)
— Christine Laquet et l’enfant sauvage, La dépèche du midi, the 13th of Nov. (FR)
— + Si affinité, 7 min. by Pascal Brochet, AFIAC/ Les Abattoirs de Toulouse (FR)
2006
— Olhar estrangeiro: percepções de uma residência artística, Arte Contemporanea em Pernambuco, 2Ptos, the 11th of Sept. (BR)
2003
— Christine Laquet, 02, Special N°, Complètemant à l’ouest. Text: Judicaël Lavrador (FR)